In the surface pattern making unit I had to explore various methods of producing a pattern.
Before I began experimenting with pattern designs. I drew a couple of observational drawings. This piece is a development from my primary recording of a temple's roof.
Before I began experimenting with pattern designs. I drew a couple of observational drawings. This piece is a development from my primary recording of a temple's roof.
Within this unit I was required to
create a final outcome consisting of a pattern. I looked towards a quite
complex traditional Asian pattern path, looking at dragon scales and Japanese
woodblock prints. This journal page looks at one of my development pieces, as I
produced a mono-print of a dragon. From which I will grab a small section of
scales and attempt to create a pattern from it.
I also looked at traditional Japanese woodblock printing and attempted to replicate the Great Wave of Kanagawa with a lino block. These are my most successful prints ranging between the final outcome and unfinished progress pieces.
I then scanned my prints into my computer, to trace them on Adobe Illustrator. Once I created a vector file from my print, I then used the sublimation printer and heat press to print my design onto different surfaces. I tested this process on acrylic, wood and fabrics.
For this unit I also created a moire pattern, to test on the sublimation printer.
I printed two different offset patterns on separate pieces of acrylic, so the moire pattern could be altered by hand.
Please elucidate on whatever differences in geometry there are (if any) for the two base patterns you show in the figure immediately preceding this comments section.
ReplyDeleteThank you.